I am a Techno producer, and I wanted to create a 1 hour long Hardcore track for ~30 years. This year, I finally managed to do it!

I started producing during the gabber hype of 1995 / 1996 (think thunderdome, mokum...). I was into the more experimental or underground stuff (like industrial strength or agent orange records).
I especially liked "oversize" tracks and productions (also in other genres like trance, where there were some 9+ minute stuff sometimes.(like jam and spoons' "age of love").

I liked to draft my tracks and production beforehand, so I came up with this concept: making a hardcore track that runs for 60 minutes or longer.

There were other producers (especially in acid / acidcore related styles) that created longer tracks by being "monotonous". Just letting the drums and basslines drone in for minutes. (like brixton or drop bass network did)
But I did not want to do it that way. I wanted a track with lots of changes and twists. Like a regular techno track. Just longer.

When I listened to some tracks from the dangerous "female french hardcore techno underground", I had an idea. (stuff like the michelson sisters, or anticore records).
These producers often used very long intros, and also had frequent changes in speed. And distortion!

I decided to segment my full size track.
So I made this draft:

60 minute, but the first quarter hour is almost calm, with a long ambient part.
Then there is slow, dark hardcore and techno stuff for the next quarter hour.
then a part with regular and faster gabber speed.
and finally, all-out speedcore and noise towards the end.

a steady build up, over 1 hour long.

Now the "twist": to not arrive with something that feels (or sounds) like i just connected 4 "single" tracks.
each segment should be interconnected to all others, especially in the use of sounds, melodies, and so on.

draft finished!
and then, back in 1998, i realized: "uhm...."

this was *way* too ambitious for my producer 'skills'. more loaded and complex than anything i could stem...

i got back to shorter tracks (well, averaging on 7 minutes still) and found lots of success that way (yeaaah ;-).

i never forgot this project, though. i always tried to think of ways i could produce this mammoth of a track! and i learned new tricks..

then, back in 2023, i did a release for speedcore worldwide records. i managed to pull off a 24+ speedcore composition, that i thought, sounded quite okay. (called "angel's speedcore").

now i realized... the "titan track" project was suddenly on the horizon again... maybe... just maybe... i could do that jump?

going from 24 minutes tracks to 60+ minutes is a whole different thing, though.

so, this year, i was sitting on my balcony, with my laptop in the night, and suddenly thought: "ah, well, fudge it, if not now, it will never be".

and i finally pulled off my 1 hour track!

i think this has turned out quite good too.

was much less complicated than i thought.

I guess i could have produced it back in 1997 already, too.
If i just had the courage to try.... if i just had tried...

here is the final track: https://doomcorerecords.bandcamp.com/album/orion-transfer

but the finished track is almost exactly like i drafted it ~30 years ago.

there is an ambient / "soft" intro part that runs for a bit over 10 minutes. (with little use of beats, btw!)
then one part slow hardcore, one part harder and faster stuff, then one part really fast for the last 10 minute. the only change in structure is that there is an additional 16 minutes were everything winds downs again, gets more soft and slow.

also the "style" has changed a bit during the decades. i used less elements of breakcore, sampled-based speedcore etc. i even included influences of more "mellow" styles like goa, electro or acid-trance.
i think it might only party be considered to be a "hardcore" track by now.
also, the tracks themselves, are more complex than i originally intended.

what stayed the same is the idea of using recurring elements. there is one main motif that slides in and out, during the entire track.
and lots of sounds in the earlier parts resemble those in later parts etc.

in my opinion, the track sounds like i intended it. not sure if i can do a project as big as this one again, anytime soon, though!