Doomcore Records listening party

Let's relive the first legit Doomcore Records compilation release with all new tracks by various artists.
There will also be a chat room where you can chat with other fans, and maybe even some of the Doomcore Records artists will be present.

When and where?

April 17, 2026

1:00 PM CEST (German Time)
11:00 AM BST (London Time)
7:AM EDT (New York Time)
8:00 PM JST (Tokyo Time)

You can tune in at:
https://doomcorerecords.bandcamp.com/merch/doomcore-records-compilation-listening-party

The chat room will be open half an hour before the event already.

Info about the compilation:

"The first compilation of Doomcore Records with all new tracks, and it's all here. Pounding Industrial Hardcore, introspective Techno, class-sick Doomcore sounds, Noize Experiments... touches of Dark Ambient and Acidcore even...
This compilation shows the state of the Doomcore underground, and "Extreme Electronics" in general. Both DCR veterans and new artists are here, well-known names in the Hard scene as well as newcomers and pioneers.
So, without further ado: let's get on this trip!"

Gabba is not dead

 

Pod Cast

The Doomcore Records Pod Cast welcomes WHIT3CR0W-X to its series of mixes.
It's more than a mix, though: the first half is a classic DJ mix by WHIT3CR0W-X, and then we have the second half, which is a live set by SPEED_KILLER !

Style is... speedcore through and through! Splitercore, ultra fast hardcore, extratone... something for the headstrong!

A very interesting debut on the podcast.

Tracklisting:

Doomcore Records Pod Cast #101 - WHIT3CR0W-X vs. SPEED_KILLER

1 R4M - 9 Inched C**t Killer
2 Bumphead - F**kfresse
3 Noize Cunt - Leid und Schmerz
4 Bumphead - Total Annihilation
5 Sadist - Stacheldraht und Napalm
6 Qualkommando - Der Schneekönig
7 Noize Damage - Combat Shock
8 Terrorbunny - Angst
9 Komprex - Terror Worldwide
10 Claymore - Fight Club
11 BTC 107A - F**zensabber
12 V8 - Aggressionen
13 V8 - Psycho Terror
14 Terrorbunny - F**k The Mainstyle
15-End SPEED_KILLER live set

https://hearthis.at/thehardcoreoverdogs/doomcore-records-pod-cast-101-whit3cr0w-x-vs-speedkiller/

Original 90s Breakcore Breakbeats and Drums Sample Pack - Free Download

Original 90s Breakcore Drums Sample Pack

These are breakbeat sounds and drum patterns I used in my early Breakcore productions, 1996-1999.
These are not samples that try to "re-create" the sounds of the era, but bona fide sounds I used while producing Breakcore tracks in the mid 90s. I popped out the backups, and ripped them from my original MS-DOS Impulse Tracker modules, for this very sample pack.
These tracks later were released on vinyl, on Breakcore labels like Praxis, Widerstand, Suburban Trash, Blut...
I played them at tresor.berlin, at hardcore parades, in lots of squat and club parties...
So this is the real stuff, so to say.

Some of the beats are ultra-distorted, some not so distorted, some weird...
And as a bonus, I added some "Breakcore" type noise, FX, ambience sounds from my tracks to the pack, too!

Of course you don't need to use these sounds just for breakcore. They could also fit to gabba, industrial... pop, goth... whatever you want!

Enjoy!

Content:

109 samples

41 breakbeats
5 bass sounds
23 drum and percussion sounds
14 fx sounds
14 noise sounds
9 ambience sounds
3 synth sounds

License:

License: Feel free to use these samples for any public, private, intimate, or commercial purpose.
Would be *very* cool if you credit me, but it's not strictly necessary.

Background info:

I helped to create and shape the Breakcore genre in the mid 90s, not just as a producer, but through various other activities (setting up parties, running zines, online forums, radio broadcasting to the citizens of hamburg... etc etc).
But left the scene ca 2001, when the Breakcore sound became pop/idm influenced. And later became a Techno / Doomcore producer.

https://lowentropy.bandcamp.com/album/original-90s-breakcore-drums-sample-pack

Merch

Doomcore Records Merch now available
Various colors, sizes from S to 5XL
Only 15.41 Euro
Buying one directly supports the label

https://tinyurl.com/2brdkf96

Producer's Diary: When metal hits the drum

I am a Hardcore Techno producer for several decades, and when people ask me: "what is the most aggressive, brutal, and violent track you produced?" I would probably say: it is this one.

It's not super fast speedcore, it's slowcore. But I never got the bass drum as hard, as noisy, as distorted, like in this track.
It's almost painful to listen to it (to me).

I actually produced this one back in December 2013 already.

Apart from the drum, the track is quite simple: there are no other elements besides the bass drum.
The drum just gets put through various filters and effects... ...as the track moves on - which I did "live", jamming.

But this setup of effects and processing was quite complex and complicated, and "brainy", of course.

Low Entropy - When metal Hits the drum

https://doomcorerecords.bandcamp.com/track/when-metal-hits-the-drum

Producer's diary: writing the first Doomcore Records EP

I created the first EP for the new Doomcore Records label back in 2012.

When I conceived the EP, I already had posteriority in mind. Something that people - hopefully - could look back to after a few years (or longer).

The setting I came up with is a "classic" 2-tracker release. With a clearly distinct A and B side. Maybe even more like a single release!

The A track is doomcore-hardcore-techno in style.
The melody may sound jammed, improvised, or created by spontaneous creativity. But the truth is it was mathematically planned. The whole melodic system is one big formula. There is not one note that would be outside this mathematic equation.



The beat and percussion - these were improvised, though.

This track was later remixed by various artists for another release.

The A track was meant to be the main track.

The B side was the additional part.
It's a beatless "doom" ambient track.



Was this one mathematically planned, too?

Far from it!
What I did here was: I set up my soft synth. Created a synth sound that I liked.
Then I turned off my speakers, headphones, any sound.

And I started to jam. Just pressed notes, like it felt right to me.

I should add that I did not know how to "read" notes, i.e. I did not know how a D# or G would sound.
I also had the clear intention to neither change, edit, amend, or cut notes. Or to do another take.
I finished the track without listening to it once.

I just hoped it would turn out okay.

Opinions might differ - but i do think it sounds quite okay!

https://doomcorerecords.bandcamp.com/album/01