Saturday, October 31, 2026

111 Free Hardcore Techno Drums


Here is the story so far:

I'm a Hardcore and Techno producer since the 90s (with lots of gigs and release experience), I began creating sample packs out of my old tracks and uploaded them to the internet, then I began creating new drum samples in a similar way, I ended up using them in my own tracks, too.
Then I decided to do some dedicated samples where I "research" drum sounds that are unconventional, experimental, surreal... and not commonly used in Techno or electronic music.
But, after all this lofty and brainy research, I arrived at the point where I came to the motion of... "**ck it". Why not simply do some nasty, harsh, straight-forward kicks again?
*And* as a plus, I could use some of the techniques I learned during the "drum research", for this!

So these are some kicks again, they aim straight for the adrenaline and fun and party... should be easy to use, just load them into your sampler and daw, and you should have some good results right away... or, at least, very soon!

Not just Gabber and Hardcore kicks are here, of course, but also those that could be used for Electro, Industrial Techno, Gothtronics... you know the score!

But, let me add, that for the HC kicks, I tried to make them ultra-hard and aggressive... did I succeed? You be the judge, my friend!

I'll shut up now... enjoy the kicks!

credits:

all drums and sounds created by me, low entropy.

license:

feel free to use these samples for any public, private, intimate, or commercial purpose.
would be *very* cool if you credit me, but it's not strictly necessary.

https://lowentropy.bandcamp.com/album/111-free-hardcore-techno-drums

Thursday, October 29, 2026

Low Entropy's Producer Diary: My long road to becoming an Acid-Core producer

Low Entropy's Producer Diary: My long road to becoming an Acid-Core producer

Acidcore was not a love at first sight for me (or, more precisely, "first sound"). While other electronic and "hardcore" styles like Gabber, Speedcore, Breakcore, Hardtrance, Electro... enamored me immediately (more or less)... when I heard my first Acidcore tracks, I went more like "meh".
These were tunes on Fischkopf records for example, or Industrial Strength, UK labels, or even some of the more acid-ic Mokum ones.
This stuff felt very monotone and repetitive too me... also quite "minimal". There just seemed to be a lack of action in these tracks, and not much going on...
In the 90s, I decided that Acidcore was the only subgenre of Hardcore, that I was not very fond of...

The only exception were some tracks by Lasse Steen, those that, in my opinion, had more variety, with lots of melodies and weird tempos, and so on. For example of the Senical and Skullblower variety. And a few tracks by other artists.

But actually, my path to Acidcore had begun, even before I got into "Hardcore proper". During vacation, a trip to a small, "90 souls" village at the border of the norther sea, on reclaimed land, that did not even exist and was the Atlantic ocean a few hundred years ago, before humans walked there, and created that land out of the ocean.
Where i swapped tapes with another teenager my age, which was hardcore punk on one side, acid techno (first time i heard that stuff!) on the other, and while i did not like the sound at that age either, i concluded that it had... potential, so to say.

Another big "woah" event was when i heard some acid tracks by PCP, especially of the 303 nation kind.

But yeah... let's say i was still not convinced.
Until the year 2000, when I went with some friends to a "hard trance rave revival party", here in hamburg, and the first hour was... very oldschool acid and techno.
And it really felt like an enlightenment!
Listening to the tunes, at night time, in a dark club, under ultra and violet light, on a loud sound system, dancing with the freaks, under the influence of caffeine... completely changed the sound to me.
I think that especially the "played out loud" thing changes acid... a lot! all those frequencies, no longer tame and distant, but buzzing around you, getting, getting to, and into your head and mind and soul... ready for liftoff!

also, that year, i had an early producer breakthrough, because a demo CD-R by me (hah!) became quite popular, within a secret community hidden behind the underground "circuit 8" website... which led to me exchanging CD-Rs, tapes, and demos, with quite a lot of people (like Somatic Responses, Christoph de Babalon, Praxis records) and also with Daria Blax from Drop Bass Networks, who sent me a kind of "bootleg mix" (hah!) with the acid classics, from berlin, london, cologne... and that sound blew my mind too!

after this, there was "no holds barred" anymore, i got deep into the acid...
and this led to my first "proper hits", hits in the underground sense, of course... my release on black monolith records, a new york adjacent label, my bookings at tresor, suddenly i played acidcore in front of 1000s of people... literally. was a wild (acid) ride!

and then, many, many (and many) years later, i finally got into more mellow acid too, which led to another wave of releases, that then were mentioned in the big magazines again and was a bit like a "return to fame" for me... "fame", in the underground sense of course, or let us rather call it popularity, or maybe "notoriety".

but all these years, my acid and acidcore tracks go back to the idea, that acid works best, and only "works", if it's made for the party situation in mind, for nights of endless dancing, for the combination of loud frequencies, a gathering of people, and black white flicker-flackering lights, powered by strobes.

and, paradoxically, that the tracks even sound (much) better during "home listening sessions", when they are made with that original thought in mind!

Music:
Urban Uprising https://doomcorerecords.bandcamp.com/track/urban-uprising-143-bpm-re-mastered
Farewell Old World https://lowentropy.bandcamp.com/track/farewell-old-world-original-master
Really Into The Space Stuff https://zuur-nl.bandcamp.com/track/really-into-this-space-stuff

Tuesday, October 20, 2026

Low Entropy + Sigma - 8 + Ægoist - Queens of Light and of the Darkness


after the two debut single releases, here is the first full length album by the Industrial Speedcore Black Metal project.
The "Speedcore" part needs to be put in quotes, though, as the band opened up to a lot of other influences and genres... there are concepts out of doomtechno, oldschool rave, gabber, ambient, "industrial hardcore" to be found on the album... and on the metal side of things, it's not just black metal riffs anymore, but maybe also a bit of influence from death and different styles...
there is even an electronic "black metal dub" instrumental at the end of the album!

the project is made up of low entropy, an "experienced" electronic music producer from hamburg, germany, who did lots of releases since decades (in other styles). Sigma 8, a black metal guitarist from chile, who also does oldschool rave and breakbeat music on the side (or is it the other way round?). and Ægoist, a witch from germany, who provides the vocalisation for the whole thing.

the theme of the album is "Queens of Light and of the Darkness".
in honor of deities and goddesses that represent liminality, duality, the crossroads. knowledge, healing, compassion, transformation and metamorphosis.
Like Hecate, Lilith, Sophia, The Morrigan, and The Goddess herself.
credits

Omnicore Records 85
Slowcore 74
Doomcore Records 239

Credits:

Low Entropy - Producing, Programming, Synths, additional Vocals
Sigma 8 - Guitars, Producing
Ægoist - Vocals

1. Hecate (Queen of Light) 05:39
2. Lilith (Queen of Knowledge) 03:15
3. The Morrigan (The Phantom Queen) 06:40
4. Sophia (Queen of Wisdom) 06:51
5. Hecate, our Healer 06:18
6. The Goddess 06:53
7. The Labyrinth 06:42
8. Hecate Ritual Core 03:48
9. Dark Entrance 12:58
10. Black Metal Dub 13:49

https://doomcorerecords.bandcamp.com/album/queens-of-light-and-of-the-darkness-2

Monday, October 19, 2026

Low Entropy's Producer Diary: Being a Hyperdisciplinary Artist and learning about the "Art Core"

I am not only a music producer, but here are some other ventures into art and other things I did or do:

Journalist
Author (of fiction, non-fiction, and poetry books)
Visual Artist
Video Director
Label owner
Party promoter
Music producer (hah, mentioned this one already)
Music "teacher" (just online and one on one, not in a university)
Hobbyist cook
Anarchist / Activist
Traveler (hiking / biking)
Code writer

And likely a few other things as well.
And, no, I do not write this list to boost my ego (well, maybe a little bit), and I make no claim that I am good in all, or even any of these disciplines.
But let's just say that I got good feedback in every one of these "fields", and, now and then, even received "official accolades", like being featured in an established magazine or other cool stuff, for all of them.
Well, maybe not for the cooking and hiking. Not yet, at least (ironic smile).

Also, this list seems a bit disjointed and disconnected (video director and hobby cook?) which brings me to the point I *actually* want to make:

I think all of these "art forms", hobbies, or activities, are not very different and apart from each other, but instead they are very similar.

For example, by studying movie directors, reading up on movies, movie techniques etc. I learned a lot of things, that do not just relate to the world of movies, but can quite well be used in music production, too.
(Just one random example, related to this example: the structure of movies, the segmentation of movies can be used in song structures, too. Why not make a cool song or track, with a prologue, first act, second act, third act, and epilogue, too?).

The same goes for writing computer code and music production. I was one of the computer kids of past decades (yeah, i was quite the nerd, sorry) and when i got into music production, DAWs, tracker programs as a teen, my first thought was actually "these programs work just like writing code! glad that i already learned how to do this."

I won't tell how cooking influences my music production (at least not right now), and I agree this might be a claim that is a bit more on the bizarre side. But, hey, cooking is about combining different ingredients, too? Just like songwriting!

Part 2

From my own experience, it is one of these big "collective secrets" kept by successful artists (and a few not-so-successful artists, too). that *art* must not be segmented and cut up into lots and lots of tiny genres, topics, fields, realms. But that art is art itself and stays art.
No matter if it manifests as music, as movies, as poetry... or if it merely manifests as taking a walk in nature and watching a beautiful sunset.

Art is made up by your very own and unique thoughts, emotions, views of the world, sentiments, grievances, and hopes.
And it might not be very important whether you channel these and manifest them as music... as poetry... as movies... or merely go for a walk and enjoy a beautiful sunrise.

And if you think about it, the best artists are usually the ones that worked in more than one field. Like musicians that did soundtracks for movies. Or even music video producers that became real movie directors.

Part 3

So, I think there is a core of art, and this "core" is the same for *any* form of art. No matter what kind of art you do.
And this "core" is not (only) a vague, emotional, intuition thing, but there are very real, accurately explainable techniques to be found inside this core.
and if you know these, you can apply these to every art, in music production just as much as in visual art or poetry.
These techniques and key points stay the same, all the time.

Now to the next point, which brings us full circle:
At the same time, there are indeed differences between the arts, and I think you can only understand and use some of these techniques if you learn another discipline of art.
For example, by reading up on movie directing and on the mindset behind movie production, i learned techniques that i could use (and do use) in music production, that i would never have learned if i just stayed within my own realm of... music.

so, all ego and other undue silliness aside: if you are an artist, it will do you (very) good if you try to learn (and to create) a different kind of art, too!
for example, if you do visual art - try to write a book too.
if you are a musician, shoot your own no budget diy short movie
if you are a poet - write a script for a theatre play! (even if it never gets made)

and you do not even need to be good at it, or excel at it, or get praise for it...
by doing a different mode of art, you will learn things that will come in very handy and useful for your "main" art, too!

Example Links:
Music: https://doomcorerecords.bandcamp.com/track/frequency-whales
"Movie" https://www.youtube.com/watch?v=j-IMaRJDzrY
Book: https://archive.org/details/pcp-legends-in-their-life-the-unofficial-planet-core-productions-book/
Journalism: https://thehardcoreoverdogs.blogspot.com/