Friday, November 21, 2025

Doomcore Records Podcast




We are proud to welcome a long awaited guest on the Doomcore Records Pod Cast.
DJ Jackhammer, and nomen est omen, because this set will hammer straight into your skull.
It's almost like a "best of" Early Terror, Speedcore, and noizy experimental Hardcore releases... if ya don't believe us, check the tracklist below.

Apart from this doomed cast, DJ Jackhammer can be seen on a lots of shows, parties, events... Toxic Sickness, Busy Action, Brainfire... so you can be certain this is high quality!

https://soundcloud.com/djjackhammer
https://www.instagram.com/happyhealthysexywealthy/

Tracklisting:

Doomcore Records Pod Cast 099 - DJ Jackhammer

Eradicator - Used Against Us (Remix)
Traffik - Magnox
Jack Lucifer - 96 Knights (To The Death Mix)
Popey You Know - Untitled
Liza N' Eliaz - Torn Lace Microspace
Embolism - The Player
S37 - Frontal Attack Posse
U.V.C. - Death Is...
Radium - Drowned Dead In The Bathroom Part 2
Jack Lucifer - Endless Horrors
Traffik - The Druid
Skretor & DJ H.M.S. - Humanology (Pt. One)
Eradicator - Impulse To Destroy
Lingua Ignota - Faithful Servant Friend of Christ
Kate Mosh - Untitled
Explore Toi - Human 1000 BPM De Rebel Va Te Faire Enculer Rubik
Hardcoholics - Nato Agressor (Cerbo Mix)
Lasse Steen - Phreak Show
Explore Toi - Ne Crois Pas... N'Obeis Pas? Fuzz...
Traffik - Surrender
Disciples Of Annihilation - Our Father
Skrewface - Sexline (Original Mix)
Heretik - Hammerhead
U.V.C. - Half Dead
Heretik - We Have Jesus

https://hearthis.at/omnicore-records/doomcore-records-pod-cast-099-dj-jackhammer/
https://soundcloud.com/djjackhammer/dj-jackhammer-doomcore-records-pod-cast-099

Tuesday, November 18, 2025

Producer's diary: Creating an Industrial Speedcore Black Metal album


I produced industrial black metal and "blackened speedcore" before - often in collaboration with vocalists, such as Nullentropy, Countess M, or - gasp - my own voice.
reception was pretty swell, some people lamented the use of "guitar synths" instead of real guitars, though.

but i don't think this was the main problem. to me, the songs felt more like "speedcore" with a black metal fusion to it. like digital, sampler based stuff, that just happened to have elements of black metal too.

of course, a few other ibm bands are like that, and it can still be kickin' sounds.

but i yearned for a more organic, gritty, natural, chaotic sound, instead of clean digitalism.

i also noted that a lot of industrial black metal bands have a very straight-in-your-face, frantic, direct sound. closer to "blackened death", in my opinion, with lots of technical and speed changes in very short intervals.
while black metal, as a genre, has many songs that are monotonous, droning, that "rest" on a loop for a long while.
for example in depressive or ambient bm.

i wanted to put this into my own tracks, too.

part 2

so, on to the production of the album.
its "backbone" are the first three tracks. these tracks have a runtime of over 33 minutes together. so they are "one half" of the entire album.

i wanted to keep these songs very, very simple and straight-forward, but also epic and complex at the same time.
each one has just a few chord progressions as the initial seed, but they undergo a lot of modulations, transformations, mutations, and metamorphoses as the tracks go on.
there was also another idea i had: i wanted to break the genre limits of music, including those of black metal a bit.
remember what i said about the complaint of using "guitar synths"?

and indeed, digital / synthesized guitars have always been the great "sacrilege" in the world of metal.
so i desired to defy and play with this convention a bit.

first, I didn't use pre-build guitar synth apps, i tried to synthesize my own "guitar" sound using a modular software synth.

second, I think I came close to an "organic" guitar sound at times, but i deliberately used sounds that feel very synthetic, artificial, non-human, too. and often this switched within the track.

and i wanted to counterpoint the aggression of blackened speedcore with extremely calm, ambient, almost "heavenly" parts.

so there are many choirs and chants - the "emerald chants".

part 3

apart from these 3 main tracks, there are also 4 more tracks.
these are closer to "traditional" speedcore, hardcore, techno... but also with a bm feel.
and more than that, i tried to break up any regular structure with these tracks.
to introduce them to chaos.

now, the album was finished.
i still had to choose a name for it. i decided on "Emerald Chants in the Hall of Moebius".

part 4

so what are the "emerald chants"?
it's a "play" on words, or rather the attempt to hide various concealed meanings in this... title.

in french, "chants" sounds similar to the word "champs", which means fields, even in the context of science and physics (such as magnetic fields)...

hall, in german language, is a kind of echo, delay, reverb... and the heavy use of "hall" (reverb) effects is a defining thing for black metal, and also for my own electronic music production...

moebius is a kind of twisted loop - it made me think of a temporal loop. and i'm low entropy, and "entropy" is a concept of time in physics ("entropy is the arrow of time"). but entropy is a kind of strange, twisted concept in time. so i see a relation there.

and moebius was also the pen name of a french artist, mostly known for his comics and hollywood collabs, for example on the first, aborted movie adaption of "dune".
a lot of his work was published in a comic mag called "heavy metal", but despite this name, his art often *feels* very black metal.
and virtually every "space-themed" black metal cover art (or any space metal cover, really) feels like it was inspired by moebius.

part 5

so we have emerald screams, forces, fields in the delays and echoes inside the bizarre loops and twists of strange times and the mind of a weird artist... and any other variation of what i said above.
and this is what this album is really about.

https://doomcorerecords.bandcamp.com/album/emerald-chants-in-the-hall-of-moebius

Monday, November 17, 2025

If you want to support us

In case you want to support Doomcore Records (and The Hardcore Overdogs!)
We created these three promo artworks. Would be cool if you could share them on social media, or elsewhere (print them out and drop the paper somewhere or give it to your friends 😉

All money will be fed back to the label and the artists.
You can download the images right off here. Choose the one you like best!



https://drive.google.com/file/d/12fesFUlKP4avtgAQrDPmsHbznYewEgrw/view?usp=drive_link

https://drive.google.com/file/d/1Vt8lvydmit1gj1RWmPk1_X6dNXxaG3FI/view?usp=drive_link

https://drive.google.com/file/d/11TL5w8JxLZXVA3AqFZ7C0YSHhT-jqDIf/view?usp=drive_link

And here is the accompanying text:

Do you want to support the electronic underground?

You can now get the entire Doomcore Records
discography for just 3.15 euro.

That's 300+ releases, Doomcore, Oldschool,
Hardcore, Techno, Acid... and lots more.
In various tempos and sizes, albums, EPs,
compilations, anthologies...

Plenty of stuff to enjoy!

We will use all earnings to support our artists
and to continue building the Doomcore underground.

https://doomcorerecords.bandcamp.com/album/the-definition-of-doomcore

The world is doomed - let's dance!

Monday, November 10, 2025

Industrial Speedcore Black Metal release



7 songs, in between industrial black metal, blackened speedcore, cosmic ambient, techno, and acid.
voiceless, faceless, instrumental for the most part, only interrupted by the eponymous emerald chants.

the themes are the dim glow of distant stars, the light in the darkness, the invisible catacombs, the peculiarities of our cosmos, and the infinite loneliness of being trapped on a forgotten planet.

Tracklisting:

Low Entropy - Emerald Chants in the Hall of Moebius (Omnicore 67)

1. Liquid Opera 07:45
2. Quick Silver Scorpions 12:53
3. Lost Souls Trapped Inbetween Two Worlds 12:58
4. Stellar Obscurities 07:31
5. Owls 07:01
6. Call My Name 07:07
7. Hall Of Stairways 08:07

https://doomcorerecords.bandcamp.com/album/emerald-chants-in-the-hall-of-moebius

Saturday, November 8, 2025

Acid Foundry - Part 1


Can you believe it? Acid existed before the advent of Techno, and is still going strong (and might exist until the last star falls from heaven).
Acid is tied to the bleep and blobs out of the 303 machine. But, despite this, it is one of the most varied subs of Techno.
There's hard acid, acidcore, acid trance, mellow...

In order to make dolphins dance.

And all of that is on this new comp!
Featuring fresh, new, and 100% pure acid, taken from our archive of tracks.
credits

Tracklisting:

V.A. - Acid Foundry - Part 1 (Omnicore Records 66)

1. Ohrdohrböhrer - Full Metal Acid 05:16
2. Life Runs Dark - Road To Acid (120 Bpm) 04:54
3. Dani DC - Acid Heaven (Murmuur Remix) 05:01
4. Taciturne - 88 Acid Bitch 04:45
5. Brandon Spivey - Strictly Hardware 06:50
6. Vortex of Venomous Rhythms - In A Hallucinatory State (80 BPM) 07:00
7. Syrius 23, BadCarma, Karma Crew - End Joy iT 05:31
8. Drvg Cvltvre - Cathathonik (71 BPM) 04:29
9. LOPH - Waters Of Life 07:27
10. Time Kanzler Green - Planet Pornos 13:28

https://doomcorerecords.bandcamp.com/album/acid-foundry-part-1

Thursday, November 6, 2025

"In The Shade" reviewed

The recent releases on our label - "In The Shade" by Deadraver - was reviewed in The Wire UK magazine!
Check the nice description of it below.
And if an established magazine mentions "Slowcore" as a legit name for our genre of Techno... it means the Slowcore scene really has come a far way now!

Also see the unboxing video: https://www.youtube.com/shorts/7T5Da6AakYI
And the actual release: https://doomcorerecords.bandcamp.com/album/in-the-shade

Wednesday, October 29, 2025

I maxed out my creativity and improved my health by working on 3 devices at once and getting out my chair

Hello,
I am a producer in the electronic / "techno" / hardcore circuit of sounds.
I'm a bit notorious for producing *a lot* of stuff. I created something like 3.000+ tracks in 15 years.
Which might seem much, but, if you think of it, it's just ~3 tracks every week. I guess paid journalists need to turn in more pieces of text! (Maybe one can't really compare these two... but you guess what I mean).
I also need to work on doing videos, running a label... ah well, this is not supposed to become a kind of ego-boost text.
I just mention this to explain that I'm behind the screen and working on the computer for long, long times, daily, at night, on weekends... like a lot of other people do, too, of course.

And I ran into health problems because of this. I used to sit on my bed, laptop on my... lap, hunched, looking downwards, having the posture of a question mark... or sitting on a wooden chair, crunched together like a fried shrimp, in front of my desktop PC...

I got back problems, gained weight, and other issues.

I searched through all the internet for a better posture and a more comfortable way to work on projects. And it turned out there was no real solution - according to experts.
There were definite "no-nos". Like not using a laptop on your bed, or putting it on your... lap. Not using a smartphone when lying on your bed. And so on.

But there was no posture, no way to work on a computer that was 100% healthy. Each has its hazards and downsides. The consensus was the only solution would be to take breaks, even breaks where you do short physical workouts, and change posture now and then. And to frequently *change* posture.
One user summed it this way: [when working with computers] "the best posture is always the next posture".
I.e. to not use the pc / sit in one way for too long, but to frequently change it.

Yet, in my opinion, there are only limited ways, or "postures", you can turn to when sitting in front of a desktop pc (or laptop).

This ain't "Computer Kamasutra", after all!

I eventually came up with the following fix. I'm sure I'm not the only, or first one, who did it, but I never heard of it before.
And, more importantly, I never thought it would work, and was really surprised that it does work, and even enhanced everything around me!

I now use 3 devices for almost every project I work on.
No matter if it's music, texts, videos, label-stuff, everything.
I work on each project on all 3 devices at the same time - most of the time. Only sometimes I use only 2 devices for a project, and very rarely, only 1 device.

These devices are:

A kind of "Three Dimensional standing desk" (don't ask, too hard to explain. Let's just say it's less horizontal than usual) with my laptop on top of it. Here I can work on texts, label-stuff, "communication / transfer" type stuff like uploading tracks for a demo, or writing a promo text. I also have some music apps installed. This is the best allrounder, I can use it for almost everything (if it's not too heavy, like long rendering of videos). I can also carry the laptop around, and can use it in other rooms.

My desktop PC. Here are most of my music apps, video production stuff, the whole she-bang so to say. Here I can do the most and in-depth music work, and video editing. The PC is not on a standing desk, so I need to sit down to use it.

My smartphone. Here I can write texts, do a bit of cheap'n'easy vid-editing/uploads for social media (which I try to avoid), send e-mails...


Now you might say: "This is nice, but not fairly unusual? I'm sure many producers or journalists etc have dedicated devices for their type of work".

Well, what was the problem again? Health & posture & fatigue.

And... if I sit down in front of my desktop for hours to work on a track. And then use my laptop for writing a text the next day.

Then nothing is solved at all! It would still strain my mind, health, and creativity.

So the fix I came up with: I work on each project on all devices at once. (I already said that above, by the way).

In the most simple way this could mean: writing an essay on my desktop, and after 30 minutes I get out of my chair, and keep writing on it at my standing desk. And after 30 minutes I go to the living room, pick up my phone, and continue writing. And I circle all the time, do the spell checking, and all the other tasks, until it is finished. While "walking" around the home and "racing" from device to device, so to say.

Writing a text is straight-forward. A more complex task, for example, would be the creation of a video.
Then I use my laptop to write a quick draft and schedule of my project. Pick up my phone and search free clip sites for good footage (yes, these are quality enough for some minor projects). Do editing on my desktop. Select one of my tracks for the background music on my laptop again. Walk to the living room and write an info text on my phone. Upload the finished video via my desktop to the video site. Walk to my laptop and add the description to the video, on the video site, that I originally had written on my phone.

There are often even more complicated projects that I need to work on.
But regardless of what it is, all the time I need to walk around, get out of my chair / couch (or sit down again)...
And most importantly, I am constantly changing posture! Just like the user advised.

This not only worked out quite well, but I noted a significant health improvement, too.

I lost weight again, my skin is not as pale, my eyes look less like zombie now...
And most nicely, 90% of my work-related back pain / problems are gone now.
No longer fried shrimp mode!

On top of this, it seems to have been a big boost to my creativity too, and I find it much easier to work on new projects now. (I don't know why - maybe all the physical health improvement had its mental boons, too)

To summarize it again: the task is to find a way to spread the work of a single project onto 3 different devices, and then to use all 3 devices "at the same time" to work on it.

(Yes, this often involves the use of clouds or portable memory sticks).

So, I can only advise everyone to give this a try, especially if you are having problems with posture, back pain, or creativity blocks, too.

Get out of your chair, get up, and keep circling!

Note: No AI has been used in writing this text.